Tag Archives: Spotlight

Spotlight and Interview with Kyogi

Oh boy, does Spotlight have a treat for you this week. Exeposé Music had the pleasure of chatting with Kyogi, an exciting new DJ from just down the road in Totnes. He ticks all the Spotlight criteria: original, interesting, raw, arresting… And he’s still not old enough to buy a pack of cigarettes.

Kyogi’s Soundcloud has become a hotspot of appreciation and intrigue within Electronic circles and, though perhaps most notorious for his non admittance to Cavern’s Our House last year due to his age, Kyogi’s music is now once again the main thing getting people talking up and down the country.

Citing musical influences as varied as Curtis Mayfield and Daft Punk, sixth form student Kyogi is aiming to continue developing his distinctive sound. Traces of funk and soul breathe life into tracks like Carousel and his excellent remix of Valentine by De$ignated ft. Kyiki.

Being surrounded by his dad’s large blues and jazz collection gave Kyogi an appreciation for a wide range of genres from which he now draws inspiration. The multi-talented sixth form student also plays drums to high standard as well as producing. With his feet firmly grounded, Kyogi understands the difficulty of making it as a DJ and suggests that being a session drummer would be a possible (and certainly envious) alternative.

photocredit:soundcloud.com/kyogi
photocredit:soundcloud.com/kyogi

A self-described House head with a difference, Kyogi’s signature sound can be heard in his free E.P. Higher released last month. Obviously interest in securing his services for gigs has been high, but his tender age, like at Cavern last year, means the 16 year old has difficulty breaking down restrictive age barriers (Exeposé Music wonders if Mozart had such problems…). He still has the poster from the night on his wall and hopes to play Cavern at some point in the near future. He has managed some gigs, however – notably at Nottingham’s Warehouse.

The future is obviously a vast space and getting picked up can often be difficult for young new artists, but luckily Kyogi can draw inspiration from the success story of his good friend and DJ, Karma Kid. The young Derbyshire DJ began producing dubstep tunes with Kyogi a few years ago before breaking into the musical consciousness with bangers like house mash-up ‘It’s Always’. He now headlines huge events. Kyogi would love to emulate Karma Kid’s success and the early signs suggest there’s no reason why he cannot.

Kyogi’s rise is one eagerly anticipated by Exeposé Music. Although the small town boy cliché is well worn, Kyogi is motivated by a desire to get more out of the world around him and sees his music as the key to more interesting places. We hope he finds the lock soon.

Listen to his E.P here – Higher E.P.

Callum Burroughs, Online Music Editor

Spotlight: Lil Dicky

Do the words frail, upper-middle class, and Jewish sound like words you’d associate with a rising star in the world of hip hop? These are not usually the terms an emerging rapper uses to describe themselves, but for Lil Dicky, an artist hailing from San Francisco, it’s an identity he embraces. His self-detrimental, honest and effortlessly funny lyrics permeate through his debut mixtape So Hard and as a result, I’m ashamed to say, I find it far more relatable than a lot of hip hop. For example, as he explains on his blog “I can certainly speak to how horrible it is to have to approach girls with nothing to say, getting too drunk to compensate, and eventually leaving angry, hungry, and alone.”

But Lil Dicky’s appeal doesn’t rely solely on his earnest lyrics, loveable as they are. His voice has a memorable tone, not only that he has incredible flow. Looking at pictures of him on Facebook and SoundCloud, he is the last person you’d expect to be able to rap. But he does so with as much ease as anyone. Dicky’s style feels very natural, as he revs into flawlessly executed sections of jaw-dropping speed and drops instantly and effortlessly into more soothing, melodic lines.

photocredit:richkidsbrand.com
photocredit:richkidsbrand.com

So Hard has its flaws though. It’s certainly not the best record as a whole. But what made Lil Dicky really catch and then hold my ear was the potential you can see from him. Some songs do nothing for me, and then the next will make me stop whatever I’m doing and just stare, wide-eyed at my speakers. Tracks like ‘Jewish Flow’ and, my favourite of the tape, jazz-infused-with-extra-scat ‘Sky Hooks’ really demonstrate his talents. ‘Club Night’ is also a great song that relates experiences all too familiar to any Exeter club-goer. Far too many Arena flashbacks for my liking (“And then I bumped into a guy / He was roughly 6 foot 5 / Pretty sure it was his fault, but I apologised”, to quote just one). The production at times is lacking, even amateurish, but on some tracks, like the ones I mentioned, it steps up. The beats on ‘Sky Hooks’ reminds me of the late Nujabes, for example, and that’s no mean feat.

In all, Lil Dicky is a breath of fresh air in a very saturated genre. He’s not the only artist to do the white, middle class rap thing, but they’re few and far between. Good ones even more so, and Lil Dicky has the potential to be great. Oh, and it’s free, so you have no excuse not to give him a listen.

You can listen to ‘Jewish Flow’ and the hilarious ‘Ex-Boyfriend’ by clicking the links.

Dom Ford

Spotlight: Jaws

photocredit: hootingandhowling.com
photocredit: hootingandhowling.com

Birmingham’s latest musical offering is really something to be excited about as Jaws rise to prominence. The  west midlands four-piece have already had airplay on Radio 1 and, with a sound similar to that of fellow Brummies Swim Deep, much is expected.

Looping, lazy synths form the basis of their tracks to create an excellent, if slightly fey, indie sound. While some critics compare the band’s sound to Foals or Battles, their music is perhaps best classed in the bracket as the aforementioned Swim Deep and Oxford’s ‘shoegazing’ aficionados Ride. Jaws’ debut EP ‘Milkshake’ was met with praise when released in April this year and heralded for returning to the laziness of 90’s baggy pop. Have a listen of the opener ‘BreeZe’ here

They’ve played festivals across the UK this summer, and will be touring around the country through September and beyond, and despite the easy nature of their music and filled market for indie pop, these guys are certainly ones to keep an eye on.

You can listen to their blissed out single ‘Toucan Surf’ from last summer here.

Callum Burroughs, Online Music Editor

Spotlight: Date Palms

photo credit: design inspiration.net
Image credit: design inspiration.net

California duo Date Palms are a band with the sound of a slow-burning psychedelic trip, with visions of violin and throbbing synth, Pitchfork has cited them as being ‘As tempting as a mirage of a fresh rock pool’. Each song has the feel of a lonely walk through an endless, boiling desert, dazzled by the sun and heat haze and surrounded by vast, empty mountain ranges.

They combine the atmospheric, brooding post-rock of Godspeed You!,  Black Emperor or Teeth of the Sea with the disparate sounds of folk, jazz, ambient electro and classical Indian music; creating a sound of measured minimalism that is at once ethereal yet familiar, calming yet disquieting, and expansive yet fragile. Their second album, ‘The Dusted Sessions’, was released earlier this year to no small acclaim. They roll into the Barrel House in nearby Totnes on the 14th of September. Much is expected of the men from Oakland, California and you can follow their exploits on their Tumblr page and also listen to their track Yuba Reprise below.

Hugh Dignan

Spotlight: Artist of the Week – Flume

Flume. Credit - www.flumemusic.com
Flume. Credit – http://www.flumemusic.com

The first article of a brand new feature on Exeposé Online, Spotlight aims to shine a light on new and emerging talent from around the world, providing you with cool tracks and bios to supplement your university existence. 

On first thoughts an artist named after a water transportation device may seem a little dubious. Look beyond the name, however, and you’ll find an exciting young Australian producer set to light up this summer and beyond. Flume is a name on many people’s lips following his jumpy soulful breakout single ‘Holdin’ On’ and a catchy remix of Hermitudes’ ‘Hyperparadise’ – a silky loopy track that promises to become a summer anthem. The man from Sydney was recently named on SXSW’s list of 30 artists to watch, though he is currently touring his native Australia with another up and coming artist Chet Faker. Big things are expected from the electronic music maker after signing to the prestigious Australian label Future Classic. Check out some essential summer listening via these links, and you can watch him play at Heaven in London as well as Latitude festival this festival season.

Holdin’ On – Flume

Hyperparadise (Flume Remix) – Hermitude

Callum Burroughs (Online Music Editor)